Fascinating list; delighted to have my work included!
http://www.bustle.com/articles/65610-10-books-about-innovative-women-you-should-know-more-about
Fascinating list; delighted to have my work included!
http://www.bustle.com/articles/65610-10-books-about-innovative-women-you-should-know-more-about
My late father, a history professor at DePaul University, would never have spoken the first words of this article. And a few other particulars of the story are less than accurate, but I am delighted to be able to archive the piece here.
This discovery, which sparked a bit of contention, led ultimately to a happy conclusion with the Death of Cleopatra restored and displayed at the Smithsonian American Art Museum in Washington, DC. Definitely worth a visit.
By Ron Grossman, 20 June 1988
Don`t be fooled by your textbooks’ silence, Marilyn Richardson`s father used to tell her. Black folks have a history, too. We just have to go out and find it.
Last month Richardson made her dad proud. In a storeroom of the Forest Park Mall, she found a long-lost work of Edmonia Lewis, the first black American to win international renown as an artist. It was, however, a bittersweet discovery.
“The Death of Cleopatra,” a life-sized sculpture commissioned for the Centennial Exhibition of 1876 in Philadelphia, was surrounded by last year`s Christmas decorations and paint cans.
Richardson said Frank Orland, head of the local history society, who had led her to the sculpture, told her that the statue needed “renovating” so it could be put on public view. The Egyptian queen’s white marble face and arms were to be redone in flesh tones, her robe in royal purple, she said Orland told her.
Orland, who also was seeking further information on the work, had taken charge of it two years ago, the latest in a string of caretakers dating to the turn of the century, including a racetrack owner, the Navy, the post office and a Cicero firefighter. None of them, though, knew the sculpture`s full story.
Orland refused to comment on his plans or to allow a photograph of the sculpture to be taken. In a phone interview, he said only, “The Queen is not ready to receive visitors.” He added that he would tell his side of the story in a forthcoming pamphlet, “Cleopatra the Great: Statue of Forest Park.”
“I was excited and heartsick both,” said Richardson, a humanities professor at the Massachusetts Institute of Technology. “Staring me straight in the face was an important piece of black history which had been missing for 100 years. Only it was …
This picture that has appeared online identified as Maria W. Stewart is actually Sarah Harris Fayerweather of Connecticut. She had an amazing story of her own, as you might imagine. So far, there is no known picture of Stewart. Still searching, though.
Posted in 19th century
Now that we have the fascinating story of Dido Belle, let’s take another look at this supposed portrait of Phillis Wheatley in evening dress.
Published in a French review in the 1830s, long after Wheatley’s death, there is virtually no documentation to establish the subject’s identity. I’d say it is far more likely a depiction of Dido Belle. 
Detail from double portrait of Elizabeth Murray and her cousin, Dido Elizabeth Belle by an unknown artist (formerly att. Johann Zoffany).
Scotland (1779). Oil on canvas.
Scone Palace, Perth (private collection of the Earl of Mansfield
Engraved portrait of Phillis Wheatley, used as the frontispiece to her collection of poems, Reflections on Various Subjects Religious and Moral (London, 1773). Attributed to the poet and visual artist Scipio Moorhead, a slave in Boston, Massachusetts, and a friend of Phillis Wheatley. One element of the identification of the portrait as Wheatley might have been a mention of the subject’s finger held to her cheek.
— Marilyn Richardson
On this day in 1863 the 54th Massachusetts Volunteer Regiment marched through Boston to the waterfront where they shipped off for South Carolina.
[Account of departure is from The Liberator, 5 June 1863. Story about Biddle, who enlisted at age 17, is an unidentified clipping, probably from a Boston newspaper.]
Posted in 19th century, Abolition, African American, Civil War
Tagged 54th Mass. Regiment, Black soldiers, Boston, Civil War
Mother’s Day originated as a call for #peace in the wake of the #CivilWar. Learn more via @ZinnEdProject: http://bit.ly/StHXTI
Mother’s Day Proclamation, 1870
By Julia Ward Howe
Arise, then, women of this day!
Arise, all women who have hearts, Whether our baptism be of water or of tears!
Say firmly: “We will not have great questions decided by irrelevant agencies, Our husbands will not come to us, reeking with carnage, for caresses and applause. Our sons shall not be taken from us to unlearn All that we have been able to teach them of charity, mercy and patience. We, the women of one country, will be too tender of those of another country To allow our sons to be trained to injure theirs.”
From the bosom of the devastated Earth a voice goes up with our own. It says: “Disarm! Disarm! The sword of murder is not the balance of justice.” Blood does not wipe out dishonor, nor violence indicate possession. As men have often forsaken the plough and the anvil at the summons of war, Let women now leave all that may be left of home for a great and earnest day of counsel.
Let them meet first, as women, to bewail and commemorate the dead. Let them solemnly take counsel with each other as to the means Whereby the great human family can live in peace, Each bearing after his own time the sacred impress, not of Caesar, But of God.
In the name of womanhood and humanity, I earnestly ask That a general congress of women without limit of nationality May be appointed and held at someplace deemed most convenient And at the earliest period consistent with its objects, To promote the alliance of the different nationalities, The amicable settlement of international questions,
The great and general interests of peace.
Posted in 1870, 19th century, Julia Ward Howe, Mothers Day, World Peace
This showed up. I have no idea who or where it comes from. Odd. Sounds like an electronic voice.