Good-bye to Gerda Lerner

http://www.cbsnews.com/8301-201_162-57562010/gerda-lerner-womens-history-pioneer-dies-at-92

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Gerda Lerner spent her 18th birthday in a Nazi prison, sharing a cell with two gentile women arrested for political work who shared their food with the Jewish teenager because jailers restricted rations for Jews.

Lerner would say years later that the women taught her during those six weeks how to survive and that the experience taught her how society can manipulate people. It was a lesson that the women’s history pioneer, who died Wednesday at age 92, said she saw reinforced in American academia by history professors who taught as though only the men were worth studying.

“When I was faced with noticing that half the population has no history and I was told that that’s normal, I was able to resist the pressure” to accept that conclusion, Lerner told the Wisconsin Academic Review in 2002.

The author was a founding member of the National Organization for Women and is credited with creating the nation’s first graduate program in women’s history, in the 1970s in New York.

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Author and Cultural Historian Richard A. Long Has Died

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Richard A. Long, a noted cultural historian and the author of numerous books on Black history, has died. Long was the Atticus Haygood Professor of Interdisciplinary Studies, Emeritus at Emory University.

via Author and Cultural Historian Richard A. Long Has Died.

The Emancipation Proclamation

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“We pause now to mark the 150th anniversary of the most important New Year’s Eve in American history.” *

Much has been accomplished; much remains to be done

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W.T. Carlton’s painting is variously called “Watch Night — Waiting for the Hour” or ” Watch Meeting — Dec. 31st, 1862.” It was sent to President Lincoln by abolitionist William Lloyd Garrison in 1864 and also circulated widely as an engraving (below). The painting now hangs in what is called the Lincoln Bedroom, really that president’s study and Cabinet Room, over the desk upon which he signed the Emancipation Proclamation on the afternoon of New Year’s Eve, 1862.

From NotionsCapital blog  http://wp.me/p6sb6-c3z

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* Editorial, Pittsburgh Post-Gazette, 12/31/12

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Excellent Fractals

I have long been fascinated by fractals. Here is some extraordinary information.

Redemption Song – Playing for Change

Redemption Song – Playing for Change.

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Only Film Of Mark Twain

A brief 1909 silent film of Twain and his daughters by Thomas Edison. The two men were friends.

Handel’s MESSIAH

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Listening (radio) to Handel and Haydn Society perform Messiah at Symphony Hall. My mother always took (ok, at first, dragged) me to an annual performance, until I finally caught on. Blessings for her persistence.

I have only a faint memory of my grandmother, Geraldine Hazard Brisbane, who studied voice and organ at the NEC, singing “I Know That My Redeemer Liveth” with a Worcester, MA, chorus performance — not H&H.

So, even listening at home, do you feel the urge to stand for the HC?

Add your thoughts here… (optional)

esther schreuder's avatarEsther Schreuder

The Slave in European Art: From Renaissance Trophy to Abolitionist Emblem

Edited by prof. Elizabeth McGrath (Warburg Institute) and prof. Jean Michel Massing (University of Cambridge)

Warburg Institute Colloquia, 20

(Editors: Jill Kraye and Charles Burnett)

The Warburg Institute – Nino Aragno Editore (London and Turin, 2012)

This volume explores the imagery of slaves and enslavement – white as well as black – in early modern Europe.

Long before the abolitionist movement took up the theme, European art abounded in images of slaves – chained, subjected, subdued figures. Often these enslaved figures were meant to be symbolic, for slavery was widely invoked as a metaphor in both religious and secular contexts. The ancient Roman iconography of triumphalism, with its trophies and caryatids, provided a crucial impetus to this imagery, particularly for Renaissance artists who developed their own variations. Here the use of classical models had a peculiar force, since nudity…

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